Killjoy

IMG_5271“Youthfulness

Peace of mind

Feeling free:

Knowing you are a rare article

Being

Loved.”

(Our Sister Killjoy, Ama Ata Aidoo)

***

Sister, you’ve been dancing across your world with some pieces of my self rattling in your pocket

–half pair earrings turning more green over the gold

cracked glass buttons cutting up all the light

dry flowers wasting into dust–

I really need me back

Sister

You play your hands over my shoulders and down my arms when I lean closer to laugh along with you, sister

I think it’s best I keep me to myself

At the other end of arm’s length is where you must put you if we are to remain some sort of sane

I reach for you still, sister

Sister

Killjoy

First, the Fire

“Eva looked into Hannah’s eyes. “Is? My baby? Burning?” “

“…Eva said yes, but inside she disagreed and remained convinced that Sula had watched Hannah burn not because she was paralyzed, but because she was interested.”

-from Sula by Toni Morrison

***

So, I’m writing.

I’ve been giving myself writing exercises in an attempt to free myself for this frustrating halt that I’ve been feeling each time I’ve tried to resume working on my thesis project recently. The way I see it, if I keep writing around and around, I will eventually write towards my actual work, as long as I’m always writing pieces that exist in the same universe as the one that I’ve created for my novel. With that in mind, I’ve invented a series of plagues that are sort of “biblical” in the sense that Christianity and a lot of its symbols and imagery have been fused or absorbed into Ewe and Haitian vodou (This is related to the research I’ve done for most of my time in my MFA program, and I wrote about it briefly here).

I didn’t grow up with the ritual of burning fallen hair after braiding or combing, but I’ve grown fixated on that image after encountering it repeatedly in Black women’s writing across the diaspora. Someone is always burning shed hair immediately before some sort of tragedy, or before the next “strange thing,” as Toni Morrison puts it in Sula.

I re-read Sula a few weeks ago, and it was not the more spectacular instances of burning that stayed with me, not Eva setting fire to Plum in his bed, or even Hannah going up in flames in the yard and Eva leaping out of the window to try and save her.

Rather, it was the smaller, the seemingly more ordinary; Nel’s grandmother using a burnt out match to darken her eyebrows, or Sula’s return, marked by birds, and by Eva burning her shed hair with her back to the same window she once leapt out of. In Gloria Naylor’s Mama Day, we are to believe that it is Cocoa’s fallen hairs, those that didn’t get burnt, those that end up in the jealous Ruby’s pocket, that lead to her painful deterioration. (There’s something I think Sula and Mama Day are saying to each other, and I wrote about that here.)

My first plague is fire.

***

There is oil hissing and spitting inside. It’s possible that it is frying on too high heat until whatever you had wanted to eat is shriveled and burnt, stuck to the pan’s deep rusty belly, forevermore resistant to any scrub. It could be that the stove’s heat is too great, or, that the whole house is burning, and I am going with it.

Don’t you want to see what you can salvage

 There is something frying inside, but you are still and always slim legs, not crossed, but rather arranged one next to the other, grey dusting where your ankles meet from too many dry afternoon hours exposed to the air. Something is on fire, and your skirt is bunched up in messy fistfuls high on your thighs. Your feet are in the dust next to mine on the lower step and something is on fire. Yet, you just sit.

You have gathered the fallen hair from my head into a feathery ball and set it alight, three clicks of a lighter and a curse. There is something burning inside–I am sure– and yet, you sit, with my shed strands flaming first between your pointer and your thumb, and now in the palm of your hand.

Maybe the whole house is burning, or maybe it is just my scalp is scorching sweet mercy. I told you not to make the parts so small this time,

I told you I am something tender–

(Image by Hannah Firmin, from the cover art of the Grafton Books 1982 edition of Sula)

 

Procedure

rewriting (again) or reimagining this post I wrote a while back called “Recovery.”

***

“Are you sure, sweetheart, that you want to be well?”

-Toni Cade Bambara, The Salt Eaters

 “–let me go mad, Grandmother. Let me bleed and be forever lost and no one.”

-Toni Cade Bambara from “The Survivor,” Gorilla, My Love

 The ones on the top row were the first to go.

I spat them out on a plate one day, next to the wrecked remains of chicken bones, and watched them sink into the orange oil smeared across the porcelain. I looked on, bored, almost as if they were not for me.

The wisdom ones went next, the irony so apparent it was almost nauseating.

They shattered into someone else’s mouth. The time has long come and gone, and they still can’t tell if that is grit or bone or me causing their jaws to grind and stick, worn down and rusty as an forgotten mill

Finally, it was right up front, on the left.

I missed the silent warning. The root perishing in place, turning the enamel outside slowly brown and darker still ’til the surface was crumb like the sugar I love in my tea.

How could you let it get this bad?

Well, I decided to crack and vanish myself little by awful little.

I have a little time–

Benediction for Black Madonna

I’m stopping by briefly to share this work I turned in to my poetry workshop last semester. This poem is related to my thesis, but as usual, I can’t give more details than that because it feels like bad luck (?) to share information about something that is still so…scattered. I feel very protective of my project, and it’s not because I think I’m Beyoncé on some surprise album drop type of thing, because who am I??? (Ok maybe a little bit Beyoncé *twirls in Lemonade yellow*) Still, I’ve only talked about this work in detail with a few people. I cringe a little when people make definitive “when it’s done” statements, or when someone says, “Oh I told so-and-so about your work and they think it’s really cool!” I get that excitement can be contagious, but talking about it too much out loud before it’s anywhere close to ready feels a little like testing fate.

***

Blackmadonna
The Black Madonna of Częstochowa is often used to represent Erzulie Dantor, a Haitian lwa and patron of mothers, women who have suffered abuse, and queer women. Source: Wikimedia Commons.

Erzulie Dantor slides off an altar in Jérémie and falls into a seat at a bus stop in Dorchester. Blue chiffon and bluer water solidify into metal iced over and stinging to the thigh. She leaves behind houses flattened like matchboxes, like old photographs pressed between the pages of an address book with phone numbers long faded, like luxury car tires over desperate land.

sleet tapping on the bus window ke-ke-ke-ke

She has unraveled herself from linen headwraps and skirts, and now feels pinched in a too tight brown coat missing the top button she fidgeted away. White ruffles and bare stomping feet turn to dry ankles dusted with grey and jutting out of black bedroom slippers, dragged to tatters by hostile ground.

bones protesting when she tries to rise up ke-ke-ke-ke

She has teeth cracking ‘til they splinter far back in her jaw, the dagger in her heart shifting deeper into the muscle with each hacking cough. She runs her fingers over memories of battle, over tender skin of women à Louisiane, Ouidah, Dzelukoƒe, over Earth’s plates never to come together again.

words won’t come with tongue undone ke-ke-ke-ke

Erzulie Dantor

Patron of the sensual and the broken

Toujours en tort

Que la Déesse te bénisse.

 

 

I [would love to] love myself when I am laughing*…

laughing1

…but mostly I’m in a forever panic hoping no one can tell how cowardly I have become, or how ashamed I am that I haven’t listened:

[Toni]

The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being.

[Flora]

not a piece of wood

letting down– Cécile, Sanité, Dedée

Warrior mothers I can only imagine hurling bodies over fortified walls– war prisoners and weak soldiers alike– just hush up your whining we’re in charge now!

[Zora]

Girl, your knife is as dull as a short plank and WE ARE NOT TRAGIC, do you hear me?

***

I would love for my laugh to be a festival

To live a life in which I could say that and mean it

Beyoncé surrounded by assorted flower arrangements rubbing her rounded belly

Rihanna blowing smoke straight into the camera

Rihanna shaking white feathers and rhinestones at carnival

Rihanna at any time of day or night, frankly

***

Actually

Not anyone who is light-skinned and wealthy

I would like to be the two girls I saw on the train this morning, one with Afro puffs parted by a sharp zig zag down the middle of her head, the other with cornrows swinging past her shoulders, sharing headphones and dancing their joy onto the platform and out into the world

Or the me who hadn’t yet started to fake humility until it became a nervous tick

When I was all

Itchy frilled socks filling with dust after church, and still twirling for frame after frame of photographs

Fluffy ponytail balanced on top of my head in the only way my mother new to style my hair

 ***

Especially in these times, I realize I need to be

 [Alice]

outrageous, audacious, courageous

To write us into revolution

Ink for poison, pen tips for murder

and other kinds of delusions

***

Instead I am here

crying through rain at the bus stop at 6am

jaw twitching resistance of false exuberance by 2 in the afternoon

By 10pm, roommates have to sweep up the shreds of my sorry self

And let me tell you about how in class white girls get to be basic and then offended by that label

“And isn’t this postcolonial stuff so dense?” means “Tell me you didn’t understand the reading either because there’s no way you can be better than I am at my own game…”

“Wow I’ve read your writing about colonialism. So powerful. Here’s more work for you. I want more.”

We’re all women first, sisters even

Empire wears an adorable pink hat with lopsided ears, don’t you know?

Out here struggling over words like Emecheta and bildungsroman

and ordinarily I would not judge and dismiss others by who wields this basic language best

But

For the sake of Black baby Jesus

I’m the one who isn’t making sense?

***

[Toni]

Alright, but what did we say about distractions? 

 Listen, I’m trying, ok? I’m finally over that guy and Becky with the split ends

[All sing refrain]

Oh honey, Daavi, not this again. Men absolutely do not treat us like that, and definitely not those with knuckles of that ashy nature. I mean at least let them be moisturized.

Are you listening? Look at me! And look at you:

Expending energy in self-doubt, crawling through the Internet for words of affirmation circled by hand drawn daisies and clouds, and supply store glitter

Unthreading at the seams,

you might want to get your fraying checked out,

mended

But at least your self has more trouble to write about, right?

Tragic

*****************************************************************

*In a letter to photographer Carl Van Vechten, Zora Neale Hurston said the following in reference to some photos he had taken of her, “I love myself when I am laughing, and then again when I am looking mean and impressive.” This quote is also the inspiration behind the title of an anthology of extracts from Hurston’s works edited by Alice Walker.(Go to the library and borrow that book, now. Or you know, wherever you get your reading material. Just read it!)

Image: This was taken by Lloyd  K. Sarpong, best photographer this side of Dansoman, Somerville, and everywhere in between. I needed a headshot for a journal that will be publishing my work later this year, and it turned into a whole string of pictures because “we need to catch the light” *strong side-eye.* It wouldn’t be me if I wasn’t long-suffering and sarcastic, but I actually loved how these pictures came out especially because most of them weren’t posed.

I have two stories and a personal essay coming out this year, AND your girl is going to Barbados in May for the Callaloo Writing Workshop! It feels so early in the year to  have this many exciting writing-related things to look forward to. I’m trying to put my joy in my pocket and keep on working, instead of feeling guilty for being wrapped up in personal pursuits when a lot of us are terrified of what Suntan Satan is going to do next. I keep reminding myself that everything I’m doing currently is helping me to improve my writing. As I’ve said before, my writing is the best thing I have to offer others, and I can only hope that it will be meaningful for whoever gets to read it.

Unforgettable

My undoing is brought to you by an email alert for a school I never attended– an unidentified female was found unconscious in the bushes in front of the white house with red awnings on College Ave, it is still unclear what brought her there– the campus will continue to be disrespectfully picturesque and as it has always been and the brick buildings and pathways will be the only ones to remember this apart from you, you will never be able to unwitness yourself

I will become undone in the most spectacular way, a spectacle as in you sitting and watching the pitiful show I have been putting on. You even clapped and whistled for an encore when I fell panting to the dusty wooden floor I haven’t swept in months because I have not found the strength and…everything can maintain its immaculate image if you don’t stare too closely or too long

The discomfort you are bound to feel is only for the moment, you will convince yourself how unfortunate it is that you arrived a few minutes too early, and caught the star with unlined lips and barely any lashes to speak of, such a shame you will explain away the screeching feedback from the mics and the red rims around sunken eyes: it’s fatigue, the next one will surely be better than this, surely

I am extinguishing myself with every new keystroke, my end is waiting in the fist that has temporarily uncurled to write this to you and you helped; I even tried to keep the curtain up to show the sloppy scene changes and the faulty equipment jutting a little too far out of the wings

And so am I to blame for relishing the completion of another successful deception, for imagining myself the outrageous woman I will never be in a cloche hat topped with a feather, and a coat with a fur collar impossible to ignore, a person you cannot unfeel or forget

The stage is literal, or not. It only matters that the end is public and shared with those who are guilty and unsuspecting bystanders alike. Anywhere will do as long as you are unashamed in your wails to an unrelenting super power that you want so desperately to exist

Shake the metal armrests of the chairs in the hospital lobby until they are detached, scream in the foyer of the house so loudly that the landlord will change his mind halfway down because this one is definitely not his business, roll around in the sand, tufts of dried grass and chicken droppings at the bottom of the stairs leading to the kitchen

This is the nuclear event you have secretly been waiting for

(Image: The talented Lloyd K. Sarpong who also happens to be one of my housemates. This is a “portrait of the artist” in ducky pajamas in the middle of her undoing…)

Recovery

reverse the order

It is a wonder there are any parts of myself left to write about. Take the rusty hook digging into my cheek, forcing my face into a grimace for a smile. I am the one holding it, it is this pen and workshops and operating rooms and places other sharp objects sit waiting to tear and reconstruct ugly parody of natural self. Recovery is not a destination; it is a place I keep writing myself away from

She is holding the scalpel ripping away at herself and now she has turned it on me. I am pulling further away from her and she has not noticed that her attempts at comfort and commiseration feel like the same unnecessary procedures she has had to endure. Just because our bones settle together into the same shape does not mean I want to die her sort of death

reversal of the order

is impossible. I’m writing against recovery but cannot write myself into wholeness. I speak most fluently in broken teeth spat into a hand– not mine– small strips of flesh hanging off the edges of my nail beds, splits in damaged hair pulled together too roughly. Is there anything else left to disfigure in the name of getting over and beyond…recovery will never be a destination

I have written too far away from it and everyone expects my remains as proof

reverse the order

I will still end up in ruin where I have put myself every single time, but she helped me get here and so did you

***

Rewrite after poetry workshop, spring 2017

To Wholeness

(as Michelle Cliff tried to do)

It is a wonder there are any parts of myself left to write about. Take the rusty hook digging into my cheek, forcing my face to form a grimace for a smile. I am the one holding it, it is this pen and workshops and operating rooms and places other sharp objects sit waiting to tear and reconstruct ugly parody of natural self. Recovery is not a destination; it is a place I keep writing myself away from.

My spirit mother is holding the scalpel ripping away at herself and now she has turned it on me. I am pulling further away from her and she has not noticed that her attempts at comfort and commiseration feel like the same unnecessary procedures she has had to endure. Just because our bones settle into the same shape does not mean I want to die her sort of death.

I’m writing against recovery but cannot write myself to wholeness. I speak most fluently in broken teeth spat in my hand, small strips of flesh hanging off the edges of my nail beds, splits in damaged hair pulled together too roughly. Is there anything else left to disfigure in the name of getting over and beyond–

Recovery will never be a destination. I have written too far away from it and everyone expects my remains as proof.